Cartier always gives surprise to its loyal fans. The new perfect fake Cartier watches are always innovative and unique, which will draw all the attention from the public if you wear them on party.
Referring to the diamonds paved case copy Cartier Baignoire, some watch lovers couldn’t accept its style. Even some watch lovers feel it is wired. But some others love the unique design very much. The black ADLC-coated Roman numerals are the highligh of this model.
Crash has always been popular among the watch collectors, which is also one of the most symbolic watches of Cartier. Like the Baignoire Interdite, the unique type of gold case imitation watch couldn’t be accepted by some people. Not every one could appreciate the beauty of such a special timepiece.
No other luxury brand manages its heritage with quite the same erudition and style as Cartier replica watches with white dials as can be seen through the constantly refreshed cycle of exhibitions that the maison stages or supports around the world, from properly academic retrospectives presented by the likes of the British Museum to more conceptual experiences such as the “Precious Garage” staged as part of Milan’s Fuorisalone.
The cheap Cartier Crash fake watches in Motion show, staged at the new Design Museum in Kensington breaks new territory for the brand as it leaves much of the curation to Norman Foster and the museum’s director, Dejan Sudjic. Lord Foster gives the exhibition a much more personal flavour that Cartier could impart itself, as he focuses on the characters and cultural shifts that excite his attention. In practice, that means acknowledging the enormous energy that Baron Hausmann’s new city plan unleashed, looking at Louis Cartier’s relationship with adventurous spirits such as the pioneering aviator, Alberto Santos-Dumont and Gustave Eiffel and exploring Louis Cartier’s interest in new technologies. There’s a replica of the Demoiselle plane that Santos-Dumont built to contest the Deutsch Grand Prix d’Aviation as well as designs doe cars, boats and planes form Louis Cartier himself.
The greater part of the exhibition concentrates on the watches and timekeepers that Cartier design for the following generations for whom flying was more glamour than adventure (at least in theory). There are numerous versions of the Tank, the wristwatch that copy watches with golden cases designed after seeing a First World War Renault tank, mystery clocks, nécessaires for motorists, while the Foster touch makes itself felt through beautifully designed showcases and models made by the Foster and Partners studio. Underpinning the exhibition is Foster’s absolute respect for the craftsmanship that is at the heart of everything that Cartier does, a concern that takes physical form with the inclusion of a watchmaker’s workbench and tools.