London’s Design Museum Takes Flight With Cartier Santos Replica Watches In Motion Show

When Emperor Napoleon III asked Baron Haussmann to clean up the stinking, narrow streets of 19th century Paris and recast the French capital as a modern, airy and elegant city, little did he know he would usher in a gilded age of invention.

Haussmann’s new Paris rapidly became an epicenter of elegance and fine geometry, of machines, mechanisms and structures that no one had seen before. Gustave Eiffel built his bridges and his famous tower, while Alberto Santos-Dumont made fantastical flying machines for racing and for zooming around Paris to all of his favorite restaurants.

Around the same time, Louis Cartier replica watches with mechanical movements moved his workshop to central Paris and, inspired by Haussmann’s strict geometric shapes, began designing his watches and clocks with angles and fine lines to reflect the new, spare and industrial aesthetic.

Cartier and London’s Design Museum are marking that moment in history with an exhibition curated by the airplane-obsessed British architect Sir Norman Foster, which runs from May 25 to July 28.

Cartier in Motion

“Cartier in Motion,” which is co-curated by the Design Museum’s director Deyan Sudjic, takes a look at the design revolution that happened in those years, and how Cartier Santos fake watches with white dials and jewels were shaped and influenced by the inventors of the day.

The star of the entertaining show is Santos who, with his passion for nutty flying machines and great heights, pushed exquisite Cartier Santos replica watches  to come up with the wristwatch at a time when everyone was wearing a pocket watch on a chain.

The newfangled Cartier invention was an efficient device that allowed Santos to tell the time without having to lift his hand from the steering wheel of the airplane.

Fittingly, the centerpiece of the show is one of Santos’ Demoiselle airplanes, a spindly, one-seater creation made from bamboo tubes. It sits in the middle of an upstairs room at the museum, surrounded by cases full of more than 170 objects and artifacts. There are Cartier copy watches withand jewelry, a vintage workbench with tools, backlit black-and-white images of Cartier and his fellow innovators, and a timeline that aims to contextualize all that was happening during the golden years of Parisian invention.

There’s even a tableau featuring replicas of the “high furniture” from Santos’ Paris apartment. He liked his guests to experience what it was like to eat and drink 10 feet off the ground.

Foster, who is best known for projects such as The Reichstag Building in Berlin, London’s Millennium Bridge, Wembley Stadium and the Great Court at the British Museum, said the Cartier project played to his obsessions.

Cartier in Motion

“I’m an aviation freak,” Foster said during a walk-through. “I’m fascinated by how things are made, and I think there’s a kind of inner beauty in the making.” Foster said he’s always been moved by the “time, love and craftsmanship that goes into something that will never be seen.”

The show has been designed around “Paris and the new geometry of Haussmann. It’s also a departure from a normal exhibition because everything is movable and reusable. The show is totally independent of the space,” he said.

He was also interested in bringing the themes of urbanism, design, fashion, art and locomotives together in one show. “I’ve never been happy compartmentalizing different worlds,” he said.

Pierre Rainero, director of image, style and heritage at Cartier, said the aim was also to explore the “how” and the “why” behind the objects and that the show was the result of much in-depth research.

Highlights include the original Santos copy watches with golden cases design from the early 20th century: Cartier’s design features straight lines, right angles and rivets that resembled the ones on the Eiffel Tower.

The show also demonstrates how Cartier has been able to accommodate changing times and tastes. There’s an updated version of the Santos from the Seventies. Waterproof with a metal bracelet, the watch can be worn day and night, to the office and during sports.

Surely, those improvements would have wowed the daring Mr. Santos.

Sofia Coppola Directs for Cartier Tank Replica Watches

The filmmaker Sofia Coppola has been a fashion muse for the designer Marc Jacobs, and now, her talent and style is inspiring the world of horology. To mark the reintroduction of its 1980s Panthère jewelry watch, Cartier has given Ms. Coppola carte blanche to create a commercial around the new collection, both of which will debut worldwide on June 1. (A select number of the Cartier Tank replica watches with white dials are exclusively available on Net-a-Porter.com until May 31.)

Arnaud Carrez, Cartier’s international marketing and communication director, said that Ms. Coppola “has always resonated with the spirit of Cartier as an icon of style, taste and elegance.

“The scale of the relaunch and this kind of communication platform has never really been done” at Cartier, he added. “It’s a big story for us.”

Ms. Coppola, who, like Cartier, is based in Paris, is a fan of the jewelry house. She treated herself to one of its Tank copy watches with golden cases in 2005 after finishing “Marie Antoinette.”

Like that movie about France’s doomed queen, the Panthère commercial is a modern reinvention of the past — this time, 1983, the year the Panthère was introduced (production stopped in 2004). “There were so many great movies, and I love the stars of that time,” Ms. Coppola said in a statement. “I remember the glamorous kind of women who wore a Panthère watch.”

The commercial, which will be shown in theaters and on social networks in 60- and 30-second versions, stars the Australian actress Courtney Eaton (“Mad Max: Fury Road”) and Brooklyn and Amanda Sudano, the performer daughters of the disco queen Donna Summers.

The 2017 Panthère’s design, with its square case and rounded corners, is nearly identical to the original, save for a few performance tweaks like a strengthened bracelet and enhanced waterproofing. The Cartier fake watches with self-winding movements can greatly show the elegance characters of wearers

The exquisite Cartier Tank replica watch comes in two sizes and 14 styles, ranging from a $4,000 steel model to a $98,000 white gold and diamond version. There also are three limited-edition styles in a lacquer panther-spot motif: white gold and pavé diamonds ($123,000) or pink gold in two sizes (from $22,900).

The jewelry house has invested heavily in the Panthère’s reintroduction, including (in early May) a party with Ms. Coppola in Los Angeles. (Her latest film, “The Beguiled,is in the running this week for the Cannes Film Festival’s top prize.)

Jackie Kennedy’s Beloved Cartier Tank Replica Watches With Mechanical Movements Will Soon Be Available for Purchase

Though it’s been over 20 years since her passing, former First Lady Jackie Kennedy has proven time and again that she’s a true classic.

Kennedy’s timeless style and mass appeal will be put to the test this June when Christie’s Rare Watches and American Icons sale spotlights the trendsetter’s beloved 1962 classical Cartier Tank replica watches.

A gift from Jackie’s brother-in-law Prince Stanislaw “Stas” Radziwill, the 18-karat gold timepiece boasts a personal engraving on the back, reading, “Stas to Jackie 23 Feb. 63 2:05 am to 9:35 pm.” The inscription references the Kennedy administration’s attempt to promote physical activity—JFK encouraged White House staffers to embark on a 17-hour hike through Florida roadways in order to set an example. Stas was one of the participants, and engraved on the copy watches with white dials is the start and end time of his hike.

Though Jackie did not participate in the initiative, she wore the Cartier fake watches with golden cases often, and thanked her brother-in-law with a gift of her own—a watercolor painting of Stas and Kennedy adviser Chuck Spalding taking the walk, bearing the same timestamp “February 23, 1963 2:05 am to 9:35 pm” and including the sendoff “Jackie to Stas with love and admiration.”

Best-selling Male Complex Rotonde De Cartier Minute Repeater Mysterious Double Tourbillon Fake Watches

Cartier capitalizes on its incredible savoir-faire

Since 2007, Cartier has accustomed us to virtuosity beyond compare : to date, it is the only fine watchmaking company ever to have developed the capacity to achieve such far-reaching ambitions! In just ten years, this La Chaux-de-Fonds-based watchmaker has imagined, created and manufactured an amazing 45 different calibres. A remarkable demonstration of prowess, designed to secure indisputable legitimacy in the timepiece market, in record time. And, although Louis-François Cartier’s sons were the masterminds behind a few iconic pieces, such as the Santos in 1904 and the Tank in 1919, the brand has never hushed the fact that, for years, it has been calling on third parties to provide it with movements.

Regardless of how striking this advancement was, it now seems to have come to an end. In any case, this is what we could be led to believe when we discover the new pieces for 2017: apart from the jewellery models (Cartier’s initial activity) and the Métier d’Art timepiece, the complication watches embrace later developments. Such is the case for this high-end silver hands replica Cartier Minute Repeater Mysterious Double Tourbillon: and although this is the first time that Cartier has married these two elements together, the first was already presented back in 2012 and the second in 2013.

Let’s start with the minute repeater : to ensure sound quality is optimal, the titanium case of this hot-selling manual-winding movement copy Cartier Rotonde model has been hollowed out so that the watch head weighs less than 50 grams. What’s more, sound vibration transmission is maximized through four attachment points between the movement and the case, and two extra attachment points at gong level. And, last but not least, the square gong section promises consistent sound. This complication, the culmination of five years’ development, was unveiled for the first time in 2012 in the Cartier Rotonde Minute Repeater Flying Tourbillon.

Black Straps Replica Rotonde De Cartier Minute Repeater Mysterious Double Tourbillon Watches

And, it goes without saying, the mysterious movements are definitely a part of Cartier’s DNA. The first pendulum to embrace this highly-particular architecture, where the mechanism appears to have vanished, was the 1912 work of the watchmaker Maurice Coüet, Cartier’s exclusive partner. The double tourbillon in this piece appears to hover at the heart of an aperture set at 10 o’clock of the excellent Cartier fake watch online. The carriage rotates around itself in 1 minute, whilst the sapphire disc that embeds it has a 5-minute rotation period. This high-powered development features in the

Privée Pleasures: Worthy Replica Cartier Paris Collection Watches For Appreciation

Originally created to give collectors a chance to own vintage-looking Cartier watches, the timepieces in Collection Privée Cartier Paris have become highly sought after in their own right.

The Fine Watchmaking Collection, Cartier’s current high-end watch line, is a stunning series comprising complicated watches, which showcase the maison’s high-tech horology. The collection is made in Cartier’s own 30,000 square meter manufacture in La Chaud-de-Fonds and represents the very best that the brand has to offer today.

Collection Privée Cartier Paris (CPCP), on the other hand, was much more a celebration of what the maison had achieved in design through the 20th century. The collection, which ran from 1998 to 2008, was based on the legendary case designs that the brand is so famous for. It fulfilled a desire on the part of collectors for vintage-looking best-quality fake Cartier watches online, with historic details and a movement belonging to the finest Swiss watchmaking tradition.

All movements within the CPCP series were from brands like Piaget, Jaeger-LeCoultre, Gérald Genta, Techniques Horlogères Appliquées (THA) and Frédéric Piguet, and hand-assembled and inspected by a master watchmaker. high-performance copy Cartier took these high-grade movements and added its own finishing, such as the traditional Côtes de Genève motif and the interlaced Cartier double “C”. Many watches in the CPCP series had a display caseback to show the decoration of the movement, which became one of the signature elements of the CPCP collection.

 The watch faces were no less impressive, with each dial made in 18ct gold, covered with a silver layer and traditional guilloché varying from a very fine pattern on the smaller Santos-Dumont watches, to a more prominent design on the larger Tortue models. The rail track, Roman numerals and markings were all stamped directly on to the dial.

Many of Cartier’s early 20th-century watches had the word “PARIS” inscribed underneath the brand name, which gave the dial something extra that became much-sought after by collectors. In response, Cartier added the same word to almost all CPCP watches. Just one model had a dial without “PARIS” on it – the Tank Cintrée with Arabic numerals produced in both yellow gold and platinum. (The same version with Roman numerals came with the familiar inscription.)

Coming Up Roses

Another typical CPCP design feature that characterised the collection was the central rose motif. Just a few of the watches from the first CPCP launch in 1998, like the Santos Dumont, Tank Américaine, Tonneau and Tank Obus were delivered without the rose, but those models, relaunched in the following years, were redesigned to include the flower.

The rose motif and the “PARIS” engraving were important features that helped to push the series to another level; collectors always mention these details when CPCP is discussed. The same thing happened with the numbering on the back. During the first year, some models were delivered with standard numbering, while from the second year onwards, all models had an individual numbering and an indication of the number produced – of particular interest when the watch is a limited edition.

One of the stand-out models in the CPCP collection is, without a doubt, the Tank Louis Cartier, produced in its historic dimensions of 33.5mm by 25.5mm in yellow gold and in platinum. The watch has baton-style hands and is powered with the ultra-slim Cal. 021MC manual-winding movement by Piaget; the crown is set with an impressive sapphire. In 2006, that same watch was released as the Louis Cartier XL, powered by Piaget’s hand-wound 9701MC movement, visible through the display caseback of the 30mm by 39mm, rectangular rose-gold or platinum case. It was said that the total number of watches produced in pink gold remained below 300 pieces, while no more than 50 pieces were made in platinum. Unfortunately, this model was not a numbered limited edition.

The smallest CPCP men’s model was a re-issue of the Santos-Dumont 1913 in yellow gold, produced in a limited edition of 100 examples. Here, Cartier went a step further and supplied the watch with a vintage-style, non-adjustable folding buckle. The strap had to be custom-made to fit the client’s wrist. The dimensions of the case were 24mm by 34mm, and the timepiece was supplied with the 9780MC Jaeger-LeCoultre movement. It also had a stunning, not-often-seen, facet-cut sapphire crystal. A slightly larger Santos-Dumont at 27mm by 36mm was also available in platinum and yellow gold, powered by a hand-wound mechanical 021MC H3 Frédéric Piguet movement. Both models have Breguet hands and a closed caseback. And of course, “PARIS” was inscribed below the brand name.

Dating back to 1928, the monopoussoir complication was one of the first complications Cartier developed. The highly sought-after Tortue MP was the first model to incorporate this complication, and Cartier did a really good re-issue in yellow gold for the first CPCP release – almost like the original model, but with a slightly larger and more contemporary case. The comeback of the Tank Mono Poussoir was even more spectacular – a stunning but once-completely-unknown Tank dating back to 1935 that now became available in a limited edition of 100 pieces each in pink and white gold. The Tortue MP and the Tank MP shared the same 045MC movement, specially developed by François-Paul Journe, Denis Flageollet and Vianney Halter for these top copy Cartier models – and also used in the De Bethune DB1 monopusher chronograph.

Blue Hands Copy Cartier Paris Collection Watches

Tales Of The Unexpected

Cartier did not do much to publicise the Collection Privée and we can only guess at the reason. But it looks like the low-production series sold out very quickly. The limited editions were usually produced in less than 100 pieces and the non-limited editions often did not number more than 250 to 300 pieces. At the time the internet was not the fount of all watch knowledge that it is today and there were certainly no watch blogs, so it was not as easy for collectors to find out what new models had been launched. The boutiques were supplied with a little brochure, but it was not updated on an annual basis as most contemporary catalogues are.

To make it even more confusing, some CPCP models were launched only in a certain territory or for a special occasion – for instance, the Tank Chinoise Double Fuseau that was made for China had all the typical CPCP details like the rose and “PARIS” on the dial, and was produced in 100 pieces each, in pink and white gold. But outside of Asia, no one was aware of its existence. It was a remarkable travel watch, specifically created to celebrate the relations between France and China.

Other amazing examples were the few pieces that were exclusively sold by the Cartier flagship store at 13 Rue de la Paix. The Paris boutique had long been closed for renovations, and when it reopened in 1999, with huge parties to celebrate its 100th anniversary, there were a few very special watches made to commemorate the occasion. One of the most well-known and important pieces was the Tortue Mono Poussoir in white gold, with a salmon-coloured dial and a big Arabic numeral “13” – instead of a Roman numeral XII – and produced in an edition of just 13 pieces.

Much more bizarre was the Driver watch that dates back to 1936 and was barely launched commercially. It was a very small and strangely curved watch that measured just 19mm by 34mm. Due to that  curved shape and the fact that the folding buckle is attached to the case, it can only be worn on the side of the wrist; so when holding the steering wheel, there is no need to turn the wrist to check the time. It was a so-called “back winder”, which has a flat crown that sits on the back of the watch. The Driver had a salmon-coloured guilloché dial, with a large Arabic “13”, just like the Tortue Mono Poussoir.

An interesting addition to the Collection Privée came with the release of the Tank à Vis, which was presented as a new model with a whole new name. In fact, the Tank à Vis – launched as a series of four different models – was a modern interpretation of the Tank Étanche, with a similar case design. This new model is the only Tank in the collection that has a bezel, but the Cartier designers created a small difference between the vintage and the new model, and gave the Tank à Vis four screws on the lunette.

Cartier did a really nice job with the relaunch of the Tank Asymétrique and the Tonneau. The Tank Asymétrique – or Parallélogramme, as it was called in the 1930s – was a driver’s watch that was known for its various models with different lug constructions. The bridge constructions that Cartier chose for the Collection Privée were by far the most gorgeous of the Asymétrique collection. With its Breguet-styled hands and larger case in yellow gold, the limited-edition series – a mere 150 pieces – was sold out in a very short time.

 Male Models

In its early years, the Tonneau was a very popular and dandy model, but fell out of favour in the 1980s, mainly because the case and very narrow strap were just too damn elegant. For the CPCP series, elegant fake Cartier enlarged the case of the Tonneau, gave it all the historical details – like the rose and Breguet-styled hands – and came up with a very smart construction to make the strap wider. Instead of keeping the leather strap at the same width throughout, it became 1mm wider beyond the lugs. It gave the strap a much wider appearance, and the watch became a cool man’s timepiece that met the demand for larger and more masculine models.

CPCP was cheap copy Cartier’s first serious attempt to reach the male watch consumer/collector, and it was the foundation of haute horlogerie on a larger scale; but it also became the start of something else – a new extraordinary way of packaging watches that was soon followed by the entire industry. While men’s watches were usually sold in small and often square boxes at the beginning of the 1980s, the watches in the CPCP series came in rich red boxes that were three times as large, with room for cufflinks and rings. The inside was lined with black velvet; champagne-coloured if the watch was bought from the 13 Rue de la Paix store. Together with this large box, the new owner also received a smaller, polished hardwood presentation box, and a suede travel pouch with cloth and loupe. It is a handsome kit that one almost never receives when a CPCP watch is found at an auction or dealer. These wooden boxes are real collector’s items.

Cartier Paris Fake Watches With Black Roman Numerals
The collection came to an end in 2008 when Cartier realised that a high-end watch line could only be successful when all movements and parts are produced in-house at their own manufacture in La Chaux de-Fonds. That was also the year the Fine Watchmaking Collection was launched, starting with the 47mm Ballon Bleu de Cartier Flying Tourbillon that was pre-released in 2007, a few months before the official launch of the collection.

A huge amount of love was put into the watches, with a perfect eye making sure that the details were as close to those of the original historic pieces as possible without compromising collectors’ preferences for slightly larger and more wearable cases. When we consider that there are now over 300 Cartier mono-brand boutiques worldwide, plus all the concessions, the numbers produced in the past were really seriously limited. Collection Privée Cartier Paris replica watch with Swiss movements sales may be history now, but it has, without doubt, become the next best thing to collect when it comes to vintage Cartier timepieces.

When it comes to obtaining a pre-owned Collection Privée Cartier Paris watch, or perhaps a vintage watch from the 1930s, it is good to know that the new Manufacture Cartier is always able to restore the watch to its original beauty. From glass to crown, and from hairspring to balance wheel, knowing that the manufacture has this technological finesse makes the decision to buy a vintage watch less difficult.

Well-Rounded: The Rotonde De Cartier Chronograph Replica Watches With Black Roman Numerals

We study the styling of the Swiss stainless steel case fake Rotonde de Cartier Chronograph watch and test its in-house movement in this review from the WatchTime archives. Original photos are by OK-Photography.

At first look, $9,050, the price of the Rotonde de Cartier Chronograph, seems to be a lot to pay for a steel chronograph. But it’s only a little higher than the cost of a Zenith El Primero or an IWC Portugieser chronograph. And while we’re comparing: the El Primero is a half century old already, and the ETA 7750 that runs the comparable Portugieser chronograph is almost that old and isn’t an in-house movement. Cartier unveiled its 1904-CH MC, the caliber inside the classic fake Cartier watch, in 2013. Unlike the El Primero, it has a stop-seconds function. And although it doesn’t have a running seconds hand, its dial looks well balanced thanks to elapsed-time counters at 3 and 9 o’clock.

The 1904-CH MC is made so that the chronograph’s central elapsed-seconds hand can also be used as a running seconds hand. The two barrels maintain a constant level of drive torque independently of the winding status of their mainsprings, which ensures rate stability and precision. Our rate measurements show that the good rate continues when the chronograph is running. The results remain more or less identical after the watch has been allowed to run for 24 hours without additional winding. If the  Cartier copy watch with black alligator strap online is worn regularly, it will usually have fully wound mainsprings. The rotor, which turns smoothly in a sturdy ceramic ball bearing, winds the movement in both its directions of rotation. Bidirectional winding is achieved using an alternator with an innovative pawl-click system, which accelerates the winding speed.

The stopwatch function is controlled via a column wheel with vertical coupling. You can view the column wheel by peering through the sapphire window in the caseback and then looking even more deeply into the movement through an aperture in the upper bridge. The chronograph’s functions are triggered using two elongated push-pieces. Their large size makes the stopwatch easy to operate and the column wheel ensures that all switching sequences run smoothly.

The zero-return function is blocked while the chronograph is running. Cartier achieved this by installing a linear heart lever inside the movement. The lever ensures the simultaneous return of all elapsed-time hands to their zero positions independently of the pressure exerted on the push-piece. The vertical coupling ensures that the chronograph starts and stops precisely. But despite the high technology, Cartier hasn’t ignored aesthetic finesse. In addition to Geneva waves and satin finishing, circular graining embellishes even the hidden sides of various components. The fine adjustment system for the balance is an eye-catcher, too: the C-shaped regulator with eccentric screw not only facilitates ultra-precise setting; it also underscores the brand’s identity.

Roman numerals on the dial and “Cartier” in signature type above the two subdials emphasize the brand’s identity, too. (It’s rather challenging to neatly print the brand’s name on the silver-plated and guilloché-embellished brass background.) A sunray pattern adorns the main dial, while concentric circles decorate the subdials. The minutes are counted along a railway-style circle using Arabic numerals at five-minute intervals; the hours are shown by Roman numerals and index strokes.

These details contrast with the satin-finished flange around the dial’s perimeter, where elapsed seconds are marked according to the 4-Hz rhythm of the caliber. Seconds are shown by a slim, needle-like hand, which complements the two Breguet-style hour and minutes hands. The result is a harmonious set of blued stainless-steel hands, which are easy to read by day. The blued hands match the pointed blue spinel cabochon atop the winding crown, another characteristic of Cartier replica watches with automatic movements sales. The crown is easy to grasp thanks to its shape and the beading around its edge. Both features enhance the sporty-elegance of the case. The large push-pieces and screw-fastened strap lugs look sporty, while elegance is seen in the conical lines of the middle part of the case, which tapers toward the back, where the sapphire window is affixed via screws. The case is water-resistant, but unfortunately only to 30 meters.

The watch has a high-quality leather strap that inserts without stops from both sides into a folding clasp that pivots on one side only. This lets the wearer customize the fit of the strap, which has a certain lightness and is comfortable to wear. It takes a bit of force to open the clasp, which responds to a strong tug on its bow, which is shaped like the “C” in the “Cartier” name.

SPECS:
Manufacturer: Cartier SA, Chemin des Alisiers 10, 2300, La Chaux-de-Fonds, Switzerland
Reference number: WSRO0002
Functions: Hours, minutes, central elapsed seconds, counters for 30 elapsed minutes and 12 elapsed hours, date display
Movement: In-house Caliber 1904-CH MC, automatic, 28,800 vph, Glucydur balance, Incabloc shock absorption, fine adjustment via eccentric screw in a C-shaped spring, 48-hour power reserve, diameter = 26.8 mm, height = 5.7 mm
Case: Stainless steel, sapphire crystal, sapphire window in caseback, water-resistant to 30 meters

Strap and clasp: Alligator strap with folding clasp that pivots on one side only
Rate results (deviations in seconds per 24 hours, fully wound/after 24 hours)
Dial up  +7.6/+4.6
Dial down  +7.8/+2.7
Crown up  -2.0/+0.8
Crown down  +5.3/+5.7
Crown left  -1.7/0.0
Greatest deviation of rate  9.8/5.7
Average deviation  +3.4/+2.8
Average amplitude:
Flat positions 316°/296°
Hanging positions 264°/253°
Dimensions: Diameter = 40 mm, height = 12.2 mm, weight = 82 grams
Variations: With rose-gold case ($23,700); with white-gold case ($25,400, limited edition of 300 pieces)
Price: $9,050

Special Fake Watch Of The Week: Clé De Cartier Skeleton

The introduction of the Fine Watchmaking Collection by Cartier did several things for the brand, and one of them was making them known for their refined skeleton watches. This was a complication Cartier previously rarely ventured into, with only a few examples known in their history, many of them piece unique.

Over the last couple of years, Cartier did show that they can make an incredible skeleton watch. For this they followed the same recipe: they created bridges which look like Roman numerals (a Cartier signature since the brand was founded) Because Cartier is also the brand of the shaped cases, many of these movements had to be completely redesigned, as the movement has to fit the case precisely. Then you get watches as the Crash Skeleton, Santos-Dumont Skeleton, and this Clé de Cartier Skeleton.

Visually the watch is very pleasing because Cartier kept it so pure. It’s the movement and two blued sword hands, nothing more. They compliment the shape of the Clé case very nicely and make the Swiss high-quality Cartier replica watch with balck alligator strap look modern, without being too edgy.

Unlike the other skeleton, copy Clé De Cartier watches with blue hands  does the Clé de Cartier Skeleton has something that they don’t. The movement is an automatic, drawing its power from the skeletonized rotor on the back. Cartier did such a good job on this, that it is very hard to notice the 22K white gold rotor, as only a very small part of it is visible when you wear the watch on the wrist.

The beauty about this Clé de Cartier Skeleton is that although Cartier doesn’t really have a heritage when it comes to these type of watches, it does fit seamlessly into their brand profile. This creative fake Cartier watch online can only be mistaken for one thing, and that is a Cartier, and what a beautiful Cartier it is!